約 5,759,837 件
https://w.atwiki.jp/elvis/pages/3944.html
Comforting the Confused Natl Health Pub? Stephanie B. Hoffman? NatlHealthPub? StephanieB.Hoffman? ユーズドブック(洋書)-Medicine? Substores-UnknownASINs-35 Subjects-Medicine-InternalMedicine? Subjects-Science-Medicine-InternalMedicine? Snow White and Rose Red North-South Books (Nord-Sud Verlag AG)? Jacob Grimm Wilhelm Grimm Bernadette Watts? North-SouthBooks(Nord-SudVerlagAG)? JacobGrimm? WilhelmGrimm? BernadetteWatts? Substores-UnknownASINs-35 Subjects-Children sBooks-Literature? Subjects-Children sBooks-People&Places-SocialScience-Folklore&Mythology? Wipe Your Feet, Santa Claus! North South Books? Konrad Richter? NorthSouthBooks? KonradRichter? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? Tiger Cat North South Books? Slawomir Woldki? NorthSouthBooks? SlawomirWoldki? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-PictureBooks? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Animals-Cats-Fiction? Subjects-Children sBooks-Literature? Boris Beaver North-South Books (Nord-Sud Verlag AG)? Marcus Pfister? Anthea Bell? North-SouthBooks(Nord-SudVerlagAG)? MarcusPfister? AntheaBell? Substores-UnknownASINs-35 Subjects-Children sBooks-Literature? Subjects-Literature&Fiction? Penguin Pete's New Friends North South Books? Marcus Pfister? NorthSouthBooks? MarcusPfister? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-PictureBooks? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Animals-Birds-Fiction? Subjects-Children sBooks-Animals-MarineLife-Fiction? Subjects-Children sBooks-Literature? Subjects-Children sBooks-People&Places-SocialSituations-Friendship-Fiction? Four Candles for Simon North South Books? Gerda M. Shceidl? NorthSouthBooks? GerdaM.Shceidl? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? Flowers for the Snowman (A North-South Picture Book) North South Books? Gerda Marie Scheidl? NorthSouthBooks? GerdaMarieScheidl? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? Thumbelina Gallery Books? Hans Christian Andersen GalleryBooks? HansChristianAndersen? Substores-UnknownASINs-35 Subjects-Children sBooks-Literature-ClassicsbyAge-General? Subjects-Children sBooks-PopularCharacters-FairyTales&FolkTales-Thumbelina? Jonathan Mouse and the Magic Box North South Books? Ingrid Ostheeren? Agnes Mathieu? NorthSouthBooks? IngridOstheeren? AgnesMathieu? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Animals? Subjects-Children sBooks-People&Places-Multilingual-German? Tippy Bear and Little Sam North South Books? Coby Hol? NorthSouthBooks? CobyHol? Substores-UnknownASINs-35 Subjects-Children sBooks? The Brave Little Tailor North-South Books (Nord-Sud Verlag AG)? Jacob Grimm Wilhelm Grimm Bernadette Watts? North-SouthBooks(Nord-SudVerlagAG)? JacobGrimm? WilhelmGrimm? BernadetteWatts? Substores-UnknownASINs-35 Subjects-Children sBooks-Literature-ClassicsbyAge-General? Subjects-Children sBooks-People&Places-SocialScience-Folklore&Mythology? The Rainbow Fish Mobile North South Books? Marcus Pfister? NorthSouthBooks? MarcusPfister? Substores-UnknownASINs-35 Formats-Accessories-WritingStationery? I Wish I Were...a Bird North South Books? Eve Tharlet? NorthSouthBooks? EveTharlet? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? Busy Lizzie North South Books? Holly Berry? NorthSouthBooks? HollyBerry? undefined undefined I Wish I Were...a Mouse North South Books? Eve Tharlet? NorthSouthBooks? EveTharlet? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? The Christmas Teddy Bear North South Books? Ivan Gantschev? Andrew Clements? NorthSouthBooks? IvanGantschev? AndrewClements? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? Moonstones North-South Books (Nord-Sud Verlag AG)? Ivan Gantschev? Oliver Gadsby? North-SouthBooks(Nord-SudVerlagAG)? IvanGantschev? OliverGadsby? Substores-UnknownASINs-35 Subjects-Children sBooks-Literature? Subjects-Literature&Fiction? Annual '95 Fiction Illustrators of Children's Books Catalog of Bologna International Book Fair Exhibition/Fiction (Bologna Annual. Illustrators of Children's Books) North South Books? Michael Neugebauer? NorthSouthBooks? MichaelNeugebauer? ユーズドブック(洋書)-Arts&Photography? Substores-UnknownASINs-35 Subjects-Arts&Photography-GraphicDesign-Commercial-Annuals? Subjects-Arts&Photography-GraphicDesign-Commercial-Illustration? Subjects-Reference? Wynken, Blynken and Nod A Poem North South Books? Eugene Field? Johanna Westerman? NorthSouthBooks? EugeneField? JohannaWesterman? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Literature-Poetry-General? Silent Night North South Books? Binette Schroeder? NorthSouthBooks? BinetteSchroeder? Substores-UnknownASINs-35 Subjects-Children sBooks-People&Places-Holidays&Festivals-Christmas-Fiction? Formats-Accessories-WritingStationery? The Wolf and the Seven Little Kids North South Books? Jacob Grimm Wilhelm Grimm Bernadette Watts? Anthea Bell? NorthSouthBooks? JacobGrimm? WilhelmGrimm? BernadetteWatts? AntheaBell? undefined undefined Andersen Fairy Tales North-South Books (Nord-Sud Verlag AG)? Hans C Anderson? North-SouthBooks(Nord-SudVerlagAG)? HansCAnderson? Substores-UnknownASINs-35 Subjects-Children sBooks-Literature? Rainsong/Snowsong North South Books? Philemon Sturges? Shari Halpern? NorthSouthBooks? PhilemonSturges? ShariHalpern? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? The Lion Family Book (Animal Family (Chronicle)) North South Books? Angelika Hofer? Gunter Ziesler? NorthSouthBooks? AngelikaHofer? GunterZiesler? Substores-UnknownASINs-35 Subjects-Children sBooks-Animals-General? Subjects-Children sBooks-Animals-Lions,Tigers&Leopards-Nonfiction? Subjects-Children sBooks-Science,Nature&HowItWorks-Nature-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Zoology? A Princess in Boxland North South Books? Tanja Szekessy? J. Alison James? NorthSouthBooks? TanjaSzekessy? J.AlisonJames? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Literature? Is It Time? North South Books? Marilyn Janovitz? NorthSouthBooks? MarilynJanovitz? Substores-UnknownASINs-35 Subjects-Children sBooks-Literature? Can I Help? North South Books? Marilyn Janovitz? NorthSouthBooks? MarilynJanovitz? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Literature? Andy's Wild Animal Adventure North South Books? Gerda Marie Scheidl? J. Alison James? Gisela Durr? NorthSouthBooks? GerdaMarieScheidl? J.AlisonJames? GiselaDurr? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Literature-Action&Adventure? Subjects-Nonfiction-Education-LanguageInstruction-General? Subjects-Reference-ForeignLanguages-General? Andy's Wild Animal Adventure North South Books? Gerda Marie Scheidl? Gisela Durr? J. Alison James? NorthSouthBooks? GerdaMarieScheidl? GiselaDurr? J.AlisonJames? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Literature-Action&Adventure? The Ghost in the Classroom North South Books? Gerda Wagener? J. Alison James? Uli Waas? NorthSouthBooks? GerdaWagener? J.AlisonJames? UliWaas? Substores-UnknownASINs-35 Subjects-Children sBooks-Literature-Humorous? Subjects-Children sBooks-Literature-ScienceFiction,Fantasy,Mystery&Horror-Spine-ChillingHorror? Subjects-Children sBooks-Issues-School? Subjects-Nonfiction-Education-LanguageInstruction-General? Subjects-Reference-ForeignLanguages-General? Hush, Little Baby North South Books? Shari Halpern? NorthSouthBooks? ShariHalpern? ユーズドブック(洋書)-Entertainment? Substores-UnknownASINs-35 Subjects-Children sBooks-Baby-3-NurseryRhymes-General? Subjects-Children sBooks-Arts&Music-Music-General? Subjects-Entertainment-Music-Instruments&Performers-Voice? Rainbow Fish Memory Game North-South Books (Nord-Sud Verlag AG)? Pfister? North-SouthBooks(Nord-SudVerlagAG)? Pfister? Substores-UnknownASINs-35 Subjects-Children sBooks-Arts&Music-Crafts&Hobbies? Hopper h.Hunts Spring Boardbks North-South Books (Nord-Sud Verlag AG)? North-SouthBooks(Nord-SudVerlagAG)? undefined undefined With Love North South Books? Jane Goodall Alan Marks? NorthSouthBooks? JaneGoodall? AlanMarks? Substores-UnknownASINs-35 Subjects-Children sBooks-Animals-Apes&Monkeys-Nonfiction? Christmas Market North South Books? Maja Dusikova? NorthSouthBooks? MajaDusikova? Substores-UnknownASINs-35 Subjects-Calendars-Advent? Subjects-Children sBooks-People&Places-Holidays&Festivals-Christmas-Fiction? Subjects-Reference-Calendars-Advent? Formats-Accessories-WritingStationery? Formats-Accessories-Calendars-Advent? ユーズドブック(洋書)-Calendars? Luke the Lionhearted North South Books? J. Alison James? Kristinah Kadmon? NorthSouthBooks? J.AlisonJames? KristinahKadmon? Substores-UnknownASINs-35 Subjects-Children sBooks-Literature? Luke the Lionhearted North South Books? J. Alison James? Kristinah Kadmon? NorthSouthBooks? J.AlisonJames? KristinahKadmon? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? Art Speak A Guide to Contemporary Ideas, Movements, and Buzzwords Abbeville Pr? Robert Atkins? AbbevillePr? RobertAtkins? ユーズドブック(洋書)-Arts&Photography? Substores-UnknownASINs-35 Subjects-Arts&Photography-Art-ArtHistory? Subjects-Arts&Photography-Art-Instruction&Reference-Reference? Subjects-Arts&Photography-Art-General? Larger Than Life The American Tall Tale Postcard, 1905-1915 Abbeville Pr? Cynthia Elyce Rubin? Morgan Williams? AbbevillePr? CynthiaElyceRubin? MorganWilliams? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Home&Garden? Substores-UnknownASINs-35 Subjects-Arts&Photography-Photography-Collections,Catalogues&Exhibitions? Subjects-Arts&Photography-Art-General? Subjects-Arts&Photography-GraphicDesign-Drawing-General? Subjects-Arts&Photography-GraphicDesign-GraphicArts-General? Subjects-Home&Garden-Antiques&Collectibles-General? A World History of Photography Abbeville Pr? Naomi Rosenblum? AbbevillePr? NaomiRosenblum? ユーズドブック(洋書)-Arts&Photography? Substores-UnknownASINs-35 Subjects-Arts&Photography-Photography-Criticism&Essays? Subjects-Arts&Photography-Photography-General? Subjects-Arts&Photography-Photography-PhotoEssays? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-History? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Art&Photography? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Norman Rockwell Birthday Party Invitation Abbeville Pr? AbbevillePr? ユーズドブック(洋書)-Arts&Photography? Substores-UnknownASINs-35 Subjects-Arts&Photography-Art-Instruction&Reference-Drawing? The Conservation International Book of Orchids Abbeville Pr? Jack Kramer? AbbevillePr? JackKramer? ユーズドブック(洋書)-Home&Garden? ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-35 Subjects-Home&Garden-Gardening&Horticulture-Flowers-Orchids? Subjects-Home&Garden-Gardening&Horticulture-General? Subjects-Home&Garden-Gardening&Horticulture-OrnamentalPlants? Subjects-Outdoors&Nature-Conservation-General? Subjects-Science-BiologicalSciences-Botany-General? Dennis the Menace His First 40 Years Abbeville Pr? Hank Ketcham? AbbevillePr? HankKetcham? Substores-UnknownASINs-35 Subjects-Arts&Photography-Art-General? Subjects-Arts&Photography-GraphicDesign-Drawing-General? Subjects-Comics&GraphicNovels-ComicStrips-General? Subjects-Comics&GraphicNovels-General? Subjects-Entertainment-Humor-General? American Imprnsts Engage/Calendar Abbeville Press Inc.,U.S.? AbbevillePressInc.,U.S.? undefined undefined Fresh Flowers Identifying, Selecting and Arranging Abbeville Pr? Charles Marden Fitch? AbbevillePr? CharlesMardenFitch? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Home&Garden? Substores-UnknownASINs-35 Subjects-Arts&Photography-GraphicDesign-Design-Decorative? Subjects-Home&Garden-Crafts&Hobbies-FlowerArranging? Subjects-Home&Garden-Gardening&Horticulture-General? English Harbours and Coastal Villages Abbeville Pr? Christopher Somerville? John Bethell? AbbevillePr? ChristopherSomerville? JohnBethell? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Travel? Substores-UnknownASINs-35 Subjects-Arts&Photography-Photography-Collections,Catalogues&Exhibitions? Subjects-Travel-Europe-GreatBritain-General? Nothing but the Blues The Music and the Musicians Abbeville Pr? Lawrence Cohn? Mary Katherine Aldin? Bruce Bastin? AbbevillePr? LawrenceCohn? MaryKatherineAldin? BruceBastin? ユーズドブック(洋書)-Entertainment? Substores-UnknownASINs-35 Subjects-Entertainment-Music-MusicalGenres-Blues? Subjects-Entertainment-Music-MusicalGenres-Jazz? Subjects-Entertainment-Music-MusicalGenres-Rhythm&Blues? Subjects-Entertainment-Music-MusicalGenres-Soul? Subjects-Entertainment-Music-Theory,Composition&Performance? Subjects-Reference? International Design Yearbook 7 (International Design Yearbook) Abbeville Pr? Andree Putman? Rick Poynor? AbbevillePr? AndreePutman? RickPoynor? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Home&Garden? Substores-UnknownASINs-35 Subjects-Arts&Photography-GraphicDesign-Commercial-Annuals? Subjects-Business&Investing-Marketing&Sales-Advertising? Subjects-Home&Garden-InteriorDesign? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Advertising? Vatican Treasures 2000 Years of Art and Culture in the Vatican and Italy Electa? Colo.) Colorado History Museum (Denver? Giovanni Morello? Electa? Colo.)ColoradoHistoryMuseum(Denver? GiovanniMorello? Substores-UnknownASINs-35 Subjects-Arts&Photography-Art-ArtHistory-General? Subjects-Arts&Photography-Art-ArtHistory-Themes? Subjects-Arts&Photography-Art-General? Subjects-History-Europe-Italy-General? Subjects-History-Europe-Vatican? Subjects-Religion&Spirituality-Christianity-Catholicism-RomanCatholicism? Subjects-Religion&Spirituality-ReligiousStudies-History? Substores-UnknownASINs-35 洋書
https://w.atwiki.jp/yfuoki/pages/7.html
Wahlsystem Begriffsliste Unterverteilung Direktmandate Ein Direktmandat ist der Wählerauftrag, den bei einer Parlamentswahl derjenige Direktkandidat erhält, der innerhalb seines Wahlkreises die meisten Stimmen auf sich vereinigt. Direktmandate werden in Demokratien vergeben, in denen entweder das Mehrheitswahlrecht gilt wie etwa in Großbritannien oder ein gemischtes System aus Mehrheits- und Verhältniswahlrecht wie in Deutschland. Die Abgeordneten des Deutschen Bundestages werden zur Hälfte direkt in ihrem Wahlkreis und zur anderen Hälfte über die Liste ihrer Partei gewählt. Die Direktmandate werden bei der Wahl zum Deutschen Bundestag nach dem Bundeswahlgesetz durch die Erststimmen verteilt. Nach dem Bundestagswahlrecht treten in jedem Wahlkreis Kandidaten der politischen Parteien und eventuell unabhängige Kandidaten gegeneinander an (wobei im Falle der Wahl eines freien Kandidaten mit der Erststimme aber keine gültige Zweitstimme abgegeben werden muss). Gewählt wird dabei nach dem relativen Mehrheitswahlrecht, der Kandidat mit den meisten Stimmen ist gewählt, auch wenn die anderen zusammen mehr haben als er. Der Kandidat, der das Direktmandat gewonnen hat, zieht automatisch in den Bundestag ein. Gehört er zu einer Gruppierung, die mehrere Mandate auf sich vereinen kann, so bekommt diese nach der Geschäftsordnung des Bundestages den Gruppenstatus im Bundestag; gehört er einer Partei an, die mehr als fünf Prozent der Mandate errungen hat, bekommt sie Fraktionsstatus. Kann eine Partei mindestens drei Direktmandate gewinnen, so erhält sie auch dann Mandate gemäß ihrem Zweitstimmenanteil, wenn sie weniger als fünf Prozent der Zweitstimmen gewonnen hat (Grundmandatsklausel). Dies war zuletzt 1994 der Fall, als die PDS zwar vier Direktmandate, aber nur 4,4 % der Zweitstimmen erringen konnte. Die Gesamtzahl der Mandate, die eine Partei erhält, bestimmt sich nach ihrem Anteil an den Zweitstimmen. Von den ihr nach diesem Anteil zustehenden Mandaten werden die Direktmandate abgezogen, die übrigen werden mit Bewerbern von der Liste besetzt. Hat eine Partei mehr Direktmandate, als ihr nach Zweitstimmen zustünden, kommt es zu Überhangmandaten. Überhangmandate In der Bundesrepublik Deutschland kann es bedingt durch das Wahlsystem zu so genannten Überhangmandaten kommen. Hat eine Partei innerhalb eines Bundeslandes mehr Direktmandate, als ihr nach Zweitstimmen Mandate des Landeskontingents zustünden, entstehen Überhangmandate. Diese sind Sitze einer Partei im Bundestag, die über den Anteil der vergebenen Sitze, die nach dem Verhältniswahlrecht (Zweitstimme) vergeben werden, hinausgehen. Durch diese Überhangmandate erhöht sich die Zahl der Abgeordneten im Bundestag. Der Bundestag setzt sich aus den Wahlkreiskandidaten, die durch die Erststimme (Mehrheitswahlrecht/Direktkandidat) gewählt werden, und den Politikern einer jeweiligen Partei, die durch die Zweitstimme (Verhältniswahlrecht/Listenkandidaten) gewählt werden, zusammen. Durch die Zweitstimme werden die Parteien gewählt und somit die Anzahl der auf jede Partei entfallenden Mandate im Bundestag bestimmt. Die Hälfte der insgesamt 598 zur Verfügung stehenden Mandate wird nun zunächst von den 299 Wahlkreisgewinnern der jeweiligen Parteien besetzt (Erststimmenwahl). Diese Wahlkreisgewinner werden im Bundestag als Direktmandate bezeichnet. Weitere Plätze, die jeder Partei entsprechend ihrem Zweitstimmenanteil zustehen können, werden normalerweise mit den Parteimitgliedern gemäß einer Liste aufgefüllt, die die Partei festlegt. Somit vermindert im Allgemeinen jedes gewonnene Direktmandat einer Partei die Anzahl der ihr verbleibenden Listenmandate. Wenn jedoch eine Partei innerhalb eines Bundeslandes über die Erststimmen mehr Wahlkreise gewonnen hat, als ihr nach Zweitstimmen zukommen würden, kommt es zu "Überhangmandaten". So gewinnt diese Partei, je nach Anzahl der Überhangmandate, zusätzliche Sitze im Bundestag hinzu. (Ein Ausgleich zugunsten der anderen Parteien, der die jeweilige Sitzzahl dem Zweitstimmenverhältnis wieder anpassen würde, findet nicht statt!) Beispiel Bei der Bundestagswahl 1994 gewann die CDU in Baden-Württemberg alle 37 Wahlkreise und somit 37 Direktmandate. Nach der Berechnung der Sitzverteilung über die Zweitstimmen standen der CDU in Baden-Württemberg jedoch nur 35 Mandate zu es entstanden zwei Überhangmandate. Insgesamt gab es 1994 16 Überhangmandate (12 für die CDU, vier für die SPD). Die Gesamtzahl der Sitze im Bundestag erhöhte sich entsprechend. Scheidet ein mit Direktmandat ausgestatteter Abgeordneter, der aus einem Land mit Überhangmandaten in den Bundestag eingezogen ist, während der Legislaturperiode aus, rückt für ihn kein Kandidat von der Landesliste oder aus dem Wahlkreis nach (Nachrückerurteil). Beispiel Durch den Tod der Abgeordneten Anke Hartnagel aus Hamburg – wo die SPD sechs Direktmandate errungen hatte, obwohl ihr nur fünf Listenplätze zugestanden hätten – verringerte sich die Größe der SPD-Fraktion (und damit die des ganzen Bundestags) um einen Abgeordneten, weil Frau Hartnagels Platz nicht nachbesetzt wurde. Überhangmandate traten bereits bei der ersten Bundestagswahl auf, bis einschließlich 1990 spielten sie nur bei der Wahl Adenauers zum Bundeskanzler eine Rolle, da die Mehrheiten ansonsten klar waren. 1994 traten Überhangmandate erstmals in großem Maße auf zwölf für die CDU/CSU und vier für die SPD. Die Union konnte damit ihren knappen Vorsprung stabilisieren. Dies rief eine Reihe von Überlegungen zur Verfassungsmäßigkeit hervor. Das Bundesverfassungsgericht erklärte jedoch die proporzverzerrende Wirkung der Überhangmandate für verfassungskonform (BVerfG, 10. April 1997, 2 BvF 1/95). Verfassungsrechtlich problematisch erscheint insbesondere die Tatsache, dass beim Bundestagswahlsystem ein sog. negatives Stimmgewicht auftreten kann, dass also eine Partei weniger Sitze erhält, obwohl sie mehr Stimmen bekommen hat. Bei der Bundestagswahl 2002 bekamen CDU/CSU und die SPD annähernd gleichviele Zweitstimmen (bei 38,5 %). Da die Union jedoch nur ein und die SPD vier Überhangmandate erhielt, wurde die SPD stärkste Fraktion im 15. Bundestag. Davon sind bis Juli 2004 zwei Überhangmandate der SPD weggefallen. Bei der Bundestagswahl 2005 bekamen die CDU/CSU knapp 1% mehr Stimmen (35,2%) als die SPD (34,2%). Da die Union dieses Mal 7 Überhangmandate (4 in Sachsen, 3 in Baden-Württemberg) für sich gewinnen konnte, stellt sie 226 Abgeordnete, die SPD stellt 222 Abgeordnete (davon 9 Überhangmandate). Im Vergleich zur Wahl 2002 waren die Überhangsmandate bei den großen Parteien bei dieser Wahl daher ausgeglichener verteilt und führten zu keiner Machtverschiebung. Zwei Mechanismen um viele Überhangmandate zu verdienen Die zwei Mechanismen um die Zahl der Überhangmandate zu erhöhen sind 1. Sieg in vielen Wahlkreisen 2. sehr wenige Parteistimmen Umgang mit Überhangmandaten Prinzipiell kann auf vier Arten mit Überhangmandaten umgegangen werden. 1. Sitze Wegnehmen von anderen Parteien 2. Erlaube den Überhang 3. Verteile weitere Sitze zur Kompensation 4. Teile Überhangmandate nicht zu Verhältniswahlrecht Sperrklausel Essayfragen Welches Wahlsystem hat die Bundesrepublik Deutschland? Beschreiben Sie es! Welche Bereiche des politischen Systems der BRD werden vom Wahlsystem beeinflusst? Beschreiben Sie Auswirkungen! Diskutieren Sie Verhältnis- und Mehrheitswahlrecht! Basics Stimmverteilung und Stimmverrechnung Wahlgrundsätze Faktoren für Wahlverhalten Pflichtlektüre Rudzio Kapitel 6
https://w.atwiki.jp/oper/pages/2504.html
PROLOGUE (Le théâtre représente le palais d Hébé dans le fond, et ses jardins dans les ailes) Ouverture Première Scène HÉBÉ Vous, qui d Hébé suivez les lois, Venez, rassemblez-vous, accourez à ma voix! Vous chantez dès que l aurore Éclaire ce beau séjour Vous commencez avec le jour Les jeux brillants de Terpsichore; Les doux instants que vous donne l Amour Vous sont plus chers encore. Scène Deuxième Entrée Des 4 Nations. (Troupe de jeunesse française, espagnole, italienne et polonaise, qui accourt et forme des danses gracieuses) HÉBÉ Amants sûrs de plaire, Suivez votre ardeur! Chantez votre bonheur, Mais sans offenser le mystère! Il est pour un tendre coeur Des biens dont le secret augmente la douceur. Songez qu il faut les taire! (Air grave pour deux polonais) Premier Menuet Second Menuet HÉBÉ Musettes, résonnez dans ce riant bocage, Accordez-vous sous l ombrage Au murmure des ruisseaux, Accompagnez le doux ramage Des tendres oiseaux. CHOEUR Musettes, résonnez dans ce riant bocage, Accordez-vous sous l ombrage Au murmure des ruisseaux, Accompagnez le doux ramage Des tendres oiseaux. (Musette en rondeau) (Bruit de tambours qui interrompt le ballet) HÉBÉ Qu entends-je! Les tambours font taire nos musettes? C est Bellone! Ses cris excitent les héros Qu elle va dérober de sujets à Paphos! Scène Troisième (Bellone arrive au bruit des tambours et des trompettes qui la précèdent avec des guerriers portant des drapeaux. Elle invite la suite d Hébé à n aimer que la gloire) BELLONE (à la suite d Hébé) La Gloire vous appelle écoutez ses trompettes! Hâtez-vous, armez-vous, et devenez guerriers! Quittez ces paisibles retraites! Combattez, il est temps de cueillir des lauriers. CHOEUR (Les guerriers appellent les amants des nations alliées. Ces amants généreux se rangent près de Bellone, et suivent les étendards) La Gloire vous appelle écoutez ses trompettes! Hâtez-vous, armez-vous, et devenez guerriers! (Air pour deux guerriers portant les drapeaux) (Air pour les amants et amantes qui suivent Bellone) CHOEUR Vous nous abandonnez. Quelle peine mortelle! Que vont devenir nos beaux jours! Quelle peine mortelle! Écoutez les Amours. La Gloire nous appelle, Nous n écoutons qu elle. Scène Quatrième HÉBÉ Bellone les entraîne... O toi, vainqueur des Cieux, Viens prouver ton pouvoir suprême! On ose te quitter pour suivre d autres Dieux! Fils de Vénus, ah! Qui peut mieux te venger que toi-même? Scène Cinquième (L Amour descend des cieux sur des nuages; il porte des traits nouveaux; il est accompagné d une troupe d Amours armés comme lui, dont les uns tiennent des brandons et les autres arborent des étendards galants) (Annonce de l Amour) HÉBÉ L Amour paraît armé, qu il soit victorieux! L AMOUR Pourquoi Mars à l Amour déclara-t-il la guerre? Mars perd-t-il son encens, lorsqu on vient m en offrir? Jamais les myrthes sur la terre N ont empêché les lauriers de fleurir. HÉBÉ (à l Amour) Pour remplacer les coeurs que vous ravit Bellone, Fils de Vénus, lancez vos traits les plus certains; Conduisez les plaisirs dans les climats lointains, Quand l Europe les abandonne! L AMOUR (à sa suite) Ranimez vos flambeaux, remplissez vos carquois, Moissonnez, méritez les palmes les plus belles! Amours, remportez, à la fois, Cent victoires nouvelles! L horreur suit le terrible Mars; Les Jeux s amusent sur vos traces, Partez, partez, vos nouveaux étendards Sont l ouvrage des Grâces. (Air pour les Amours) L AMOUR, HÉBÉ Traversez les plus vastes mers, Volez, volez, Amours, volez, volez! Portez vos armes et vos fers Sur le plus éloigné rivage! Est-il un coeur dans l univers Qui ne vous doive son hommage? CHOEUR (Les Amours s envolent pendant le choeur et se dispersent loin de l Europe dans les différents climats de l Inde) Traversez les plus vastes mers, Volez, volez, Amours, volez, Amours. Portez vos armes et vos fers Sur le plus éloigné rivage! PREMIÈRE ENTRÉE Le Turc généreux (Le théâtre représente les jardins d Osman Pacha terminés par la mer) Scène Première ÉMILIE (entrant seule) C est Osman qui me suit, ne lui cachons plus rien! Pour arrêter son feu, découvrons-lui le mien! OSMAN (entrant, à Émilie) Chercherez-vous toujours et l ombre et le silence! ÉMILIE Je voudrais de mes maux cacher la violence. OSMAN Ciel! Qu entends-je! ÉMILIE Apprenez mon destin rigoureux! Dans le séjour témoin de ma naissance J épousais un amant digne de ma constance; Sur un bord solitaire on commençait les jeux, Lorsque des ravisseurs perfides S avancent le fer à la main. La terreur un instant ferme mes yeux timides, Ils ne s ouvrent qu aux cris d un corsaire inhumain. Bientôt les vents et le ciel même, Complices de son crime, éloignent ses vaisseaux, Et je me vois captive sur les eaux, Près de ce que j abhorre, et loin de ce que j aime. OSMAN Qu en peignant vos malheurs vous redoublez mes maux! Dissipez vos ennuis sur cet heureux rivage. ÉMILIE J y subis, sous vos lois, un second esclavage. OSMAN Me reprocherez-vous de gêner vos désirs? L unique loi qu ici vous prescrit ma tendresse, C est de permettre aux plaisirs De vous y suivre sans cesse. Répondez à mes voeux, couronnez mes soupirs! ÉMILIE Contre mes ravisseurs, ardent à me défendre, Mon amant a risqué ses jours. Lorsque, pour prix de son secours, Peut-être un coup fatal l a forcé de descendre Dans l affreuse nuit de tombeau, Mon coeur ingrat d un feu nouveau Se laisserait surprendre? OSMAN Ah! Que me faites-vous entendre? C est trop m accabler par vos pleurs, Cessez d entretenir d inutiles douleurs! Il faut que l amour s envole, Dès qu il voit partir l espoir. A l ennui la constance immole Le coeur qui s en fait un devoir. Je vous quitte, belle Émilie. Songez que le noeud qui vous lie Vous cause chaque jour des tourments superflus! Vous aimez un objet que vous ne verrez plus. Scène Deuxième ÉMILIE (Osman sort) Que je ne verrai plus, barbare!... Que me présage ce discours? Ah! Si de mon amant le trépas me sépare, Si mes yeux l ont perdu, mon coeur le voit toujours. (Le Ciel se couvre de nouages sombres, les vents sifflent, les flots s élèvent) La nuit couvre les cieux! Quel funeste ravage! Vaste empire des mers où triomphe l horreur, Vous êtes la terrible image Du trouble de mon coeur. Des vents impétueux vous éprouvez la rage, D un juste désespoir j éprouve la fureur. CHOEUR DES MATELOTS (qu on ne voit pas) (La tempête continue avec la même violence) Ciel! De plus d une mort nous redoutons les coups! Serons-nous embrasés par les feux du tonnerre? Sous les ondes périrons-nous, À l aspect de la terre? ÉMILIE Que ces cris agitent mes sens! Moi-même, je me crois victime de l orage. (La tempête diminue et la clarté revient) Mais le ciel prend pitié du trouble que je sens, Le ciel, le juste ciel calme l onde et les vents. Je souffrais dans le port les horreurs du naufrage. CHOEUR (qu on ne voit pas) Que nous sert d échapper à la fureur des mers? En évitant la mort nous tombons dans les fers. ÉMILIE D infortunés captifs vont partager nos peines Dans ce redoutable séjour. S ils sont amants, ah! que l amour Va redoubler le poids de l horreur de leurs chaînes! Scène Troisième ÉMILIE Un de ces malheureux approche en soupirant! Hélas! Son infortune est semblable à la mienne! Quel transport confus me surprend? Parlons-lui! Ma patrie est peut-être la sienne. (abordant Valère) Étranger, je vous plains... (le reconnaissant) Ah! Valère, c est vous! VALÈRE (en esclave) C est vous, belle Émilie! ÉMILIE, VALÈRE Je vous revois! Que de malheurs j oublie! De mon cruel destin je ne sens plus les coups. ÉMILIE Par quel sort aujourd hui jeté sur cette rive... VALÈRE Depuis l instant fatal qui nous a séparés, Dans cet climats divers mes soupirs égarés Vous cherchent nuit et jour... je vous trouve captive. ÉMILIE Et ce n est pas encore mon plus cruel malheur. VALÈRE O ciel! Achevez. ÉMILIE Non, suspendez ma douleur! De votre sort daignez enfin m instruire! VALÈRE Un maître que je n ai point vu Dans ce palais m a fait conduire... ÉMILIE Votre maître est le mien. VALÈRE O bonheur imprévu! ÉMILIE Valère, quelle erreur peut ainsi vous séduire! Mon tyran m aime... VALÈRE O désespoir! Non, vous ne sortirez jamais de ses fers! Quoi! Valère ne vous retrouve Que pour vous perdre sans retour? Notre Tyran vous aime! ÉMILIE Et ma douleur le prouve, Je ne demandais pas ce triomphe à l amour. VALÈRE Ah! Sait-on vous aimer dans ce fatal séjour! Sur ces bords une âme enflammée Partage ses voeux les plus doux, Et vous méritez d être aimée Par un coeur qui n aime que vous. Scène Quatrième OSMAN (entrant, à Valère) Esclave, je viens de t entendre, Ton crime m est connu. VALÈRE Je ne m en repens pas. ÉMILIE (troublée, à Osman) Seigneur, est-il coupable? Hélas!... OSMAN (à Émilie) Vous l accusez en voulant le défendre. Vous prétendez en vain cacher votre embarras, Et retenir les pleurs que je vous vois répandre. Vous cédez au penchant de votre coeur trop tendre Ah! du mien je suivrai les lois, Je saurai me venger ainsi que je dois. ÉMILIE (à Osman) Le barbare! VALÈRE (à Osman) J attends l arrêt de ta colère. ÉMILIE (tremblante) Juste ciel! Quel moment! OSMAN (présentant Émilie à Valère) Reçois de moi, Valère, Émilie et la liberté. VALÈRE (gaiement, à Osman) Que dites-vous?... (tristement) Mais non, peut-il être sincère? Il veut tromper nos coeurs... c est trop de cruauté! OSMAN O ciel! Quelle injustice! Quoi! Vous vous défiez de ma sincérité, Dans l instant où mon coeur vous fait le sacrifice Qui jamais ait le plus coûté? Mais je le dois à la reconnaissance. (montrant Valère) Osman fut son esclave, et s efforce aujourd hui D imiter sa magnificence, Dans ce noble sentier, que je suis loin de lui! Il m a tiré des fers sans me connaître... VALÈRE (l embrassant) Mon cher Osman, c est vous! (à Émilie) Osman était mon maître. OSMAN Je vous ai reconnu sans m offrir à vos yeux; J ai fait agir pour vous mon zèle et ma puissance Vos vaisseaux sont rentrés sous votre obéissance. (Les vaisseaux de Valère avancent et paraissent chargés des présents du pacha, portés par des esclaves africains) VALÈRE (surpris) Que vois-je? Ils sont chargés de vos dons précieux! Que de bienfaits! OSMAN Ne comptez que Émilie! VALÈRE O triomphe incroyable! O sublime vertu! ÉMILIE (à Osman) Ne craignez pas que je l oublie! OSMAN Estimez moins un coeur qui s est trop combattu! (On entends les tambourins des Matelots) (avec douleur) J entends vos matelots... Allez sur vos rivages, Mes ordres sont donnés... Allez, vivez contents... Souvenez-vous d Osman... VALÈRE (l arrêtant) Recevez nos hommages! ÉMILIE (à Osman) Écoutez... OSMAN (hésitant) Quoi!... Mais, non! (s en allant) C est souffrir trop longtemps, C est trop à vos regards offrir mon trouble extrême... Je vous dois mon absence, et la dois à moi-même. (Osman sort) Scène Cinquième VALÈRE Fut-il jamais un coeur plus généreux? Digne de notre éloge, il ne veut pas l entendre... Au plus parfait bonheur il a droit de prétendre, Si la vertu peut rendre heureux. Scène Sixième ÉMILIE, VALÈRE Volez, Zéphyrs, tendres amants de Flore! Si vous nous conduisez, tous nos voeux sont remplis, Rivages fortunés de l empire des Lys, Ah! nous vous reverrons encore. CHOEUR Volez, Zéphyrs, tendres amants de Flore! Si vous nous conduisez, tous nos voeux sont remplis. (Air pour les esclaves africains) VALÈRE Hâtez-vous de vous embarquer, Jeunes coeurs, volez à Cythère! Sur cette flotte téméraire On ne peut jamais trop risquer. ÉMILIE Régnez, Amour, ne craignez point les flots! Vous trouverez sur l onde un aussi doux repos Que sous les myrthes de Cythère. Ne craignez point les flots! Ils ont donné le jour à votre aimable mère. Premier Rigaudon Second Rigaudon ÉMILIE Fuyez, vents orageux! Calmez les flots amoureux, Ris et jeux! Charmant Plaisir, fais notre sort Dans la route comme au port! Si, quittant le rivage, La raison fait naufrage, Thétis, dans ce beau jour, N en sert que mieux l Amour. Premier Tambourin Second Tambourin ÉMILIE Partez! On languit sur le rivage, Tendres coeurs, embarquez-vous! CHOEUR Partez! On languit sur le rivage, Tendres coeurs, embarquez-vous! ÉMILIE Voguez! Bravez les vents et l orage! Que l espoir vous guide tous! CHOEUR Partez! On languit sur le rivage, Tendres coeurs, embarquez-vous! PROLOGUE (Le théâtre représente le palais d Hébé dans le fond, et ses jardins dans les ailes) Ouverture Première Scène HÉBÉ Vous, qui d Hébé suivez les lois, Venez, rassemblez-vous, accourez à ma voix! Vous chantez dès que l aurore Éclaire ce beau séjour Vous commencez avec le jour Les jeux brillants de Terpsichore; Les doux instants que vous donne l Amour Vous sont plus chers encore. Scène Deuxième Entrée Des 4 Nations. (Troupe de jeunesse française, espagnole, italienne et polonaise, qui accourt et forme des danses gracieuses) HÉBÉ Amants sûrs de plaire, Suivez votre ardeur! Chantez votre bonheur, Mais sans offenser le mystère! Il est pour un tendre coeur Des biens dont le secret augmente la douceur. Songez qu il faut les taire! (Air grave pour deux polonais) Premier Menuet Second Menuet HÉBÉ Musettes, résonnez dans ce riant bocage, Accordez-vous sous l ombrage Au murmure des ruisseaux, Accompagnez le doux ramage Des tendres oiseaux. CHOEUR Musettes, résonnez dans ce riant bocage, Accordez-vous sous l ombrage Au murmure des ruisseaux, Accompagnez le doux ramage Des tendres oiseaux. (Musette en rondeau) (Bruit de tambours qui interrompt le ballet) HÉBÉ Qu entends-je! Les tambours font taire nos musettes? C est Bellone! Ses cris excitent les héros Qu elle va dérober de sujets à Paphos! Scène Troisième (Bellone arrive au bruit des tambours et des trompettes qui la précèdent avec des guerriers portant des drapeaux. Elle invite la suite d Hébé à n aimer que la gloire) BELLONE (à la suite d Hébé) La Gloire vous appelle écoutez ses trompettes! Hâtez-vous, armez-vous, et devenez guerriers! Quittez ces paisibles retraites! Combattez, il est temps de cueillir des lauriers. CHOEUR (Les guerriers appellent les amants des nations alliées. Ces amants généreux se rangent près de Bellone, et suivent les étendards) La Gloire vous appelle écoutez ses trompettes! Hâtez-vous, armez-vous, et devenez guerriers! (Air pour deux guerriers portant les drapeaux) (Air pour les amants et amantes qui suivent Bellone) CHOEUR Vous nous abandonnez. Quelle peine mortelle! Que vont devenir nos beaux jours! Quelle peine mortelle! Écoutez les Amours. La Gloire nous appelle, Nous n écoutons qu elle. Scène Quatrième HÉBÉ Bellone les entraîne... O toi, vainqueur des Cieux, Viens prouver ton pouvoir suprême! On ose te quitter pour suivre d autres Dieux! Fils de Vénus, ah! Qui peut mieux te venger que toi-même? Scène Cinquième (L Amour descend des cieux sur des nuages; il porte des traits nouveaux; il est accompagné d une troupe d Amours armés comme lui, dont les uns tiennent des brandons et les autres arborent des étendards galants) (Annonce de l Amour) HÉBÉ L Amour paraît armé, qu il soit victorieux! L AMOUR Pourquoi Mars à l Amour déclara-t-il la guerre? Mars perd-t-il son encens, lorsqu on vient m en offrir? Jamais les myrthes sur la terre N ont empêché les lauriers de fleurir. HÉBÉ (à l Amour) Pour remplacer les coeurs que vous ravit Bellone, Fils de Vénus, lancez vos traits les plus certains; Conduisez les plaisirs dans les climats lointains, Quand l Europe les abandonne! L AMOUR (à sa suite) Ranimez vos flambeaux, remplissez vos carquois, Moissonnez, méritez les palmes les plus belles! Amours, remportez, à la fois, Cent victoires nouvelles! L horreur suit le terrible Mars; Les Jeux s amusent sur vos traces, Partez, partez, vos nouveaux étendards Sont l ouvrage des Grâces. (Air pour les Amours) L AMOUR, HÉBÉ Traversez les plus vastes mers, Volez, volez, Amours, volez, volez! Portez vos armes et vos fers Sur le plus éloigné rivage! Est-il un coeur dans l univers Qui ne vous doive son hommage? CHOEUR (Les Amours s envolent pendant le choeur et se dispersent loin de l Europe dans les différents climats de l Inde) Traversez les plus vastes mers, Volez, volez, Amours, volez, Amours. Portez vos armes et vos fers Sur le plus éloigné rivage! PREMIÈRE ENTRÉE Le Turc généreux (Le théâtre représente les jardins d Osman Pacha terminés par la mer) Scène Première ÉMILIE (entrant seule) C est Osman qui me suit, ne lui cachons plus rien! Pour arrêter son feu, découvrons-lui le mien! OSMAN (entrant, à Émilie) Chercherez-vous toujours et l ombre et le silence! ÉMILIE Je voudrais de mes maux cacher la violence. OSMAN Ciel! Qu entends-je! ÉMILIE Apprenez mon destin rigoureux! Dans le séjour témoin de ma naissance J épousais un amant digne de ma constance; Sur un bord solitaire on commençait les jeux, Lorsque des ravisseurs perfides S avancent le fer à la main. La terreur un instant ferme mes yeux timides, Ils ne s ouvrent qu aux cris d un corsaire inhumain. Bientôt les vents et le ciel même, Complices de son crime, éloignent ses vaisseaux, Et je me vois captive sur les eaux, Près de ce que j abhorre, et loin de ce que j aime. OSMAN Qu en peignant vos malheurs vous redoublez mes maux! Dissipez vos ennuis sur cet heureux rivage. ÉMILIE J y subis, sous vos lois, un second esclavage. OSMAN Me reprocherez-vous de gêner vos désirs? L unique loi qu ici vous prescrit ma tendresse, C est de permettre aux plaisirs De vous y suivre sans cesse. Répondez à mes voeux, couronnez mes soupirs! ÉMILIE Contre mes ravisseurs, ardent à me défendre, Mon amant a risqué ses jours. Lorsque, pour prix de son secours, Peut-être un coup fatal l a forcé de descendre Dans l affreuse nuit de tombeau, Mon coeur ingrat d un feu nouveau Se laisserait surprendre? OSMAN Ah! Que me faites-vous entendre? C est trop m accabler par vos pleurs, Cessez d entretenir d inutiles douleurs! Il faut que l amour s envole, Dès qu il voit partir l espoir. A l ennui la constance immole Le coeur qui s en fait un devoir. Je vous quitte, belle Émilie. Songez que le noeud qui vous lie Vous cause chaque jour des tourments superflus! Vous aimez un objet que vous ne verrez plus. Scène Deuxième ÉMILIE (Osman sort) Que je ne verrai plus, barbare!... Que me présage ce discours? Ah! Si de mon amant le trépas me sépare, Si mes yeux l ont perdu, mon coeur le voit toujours. (Le Ciel se couvre de nouages sombres, les vents sifflent, les flots s élèvent) La nuit couvre les cieux! Quel funeste ravage! Vaste empire des mers où triomphe l horreur, Vous êtes la terrible image Du trouble de mon coeur. Des vents impétueux vous éprouvez la rage, D un juste désespoir j éprouve la fureur. CHOEUR DES MATELOTS (qu on ne voit pas) (La tempête continue avec la même violence) Ciel! De plus d une mort nous redoutons les coups! Serons-nous embrasés par les feux du tonnerre? Sous les ondes périrons-nous, À l aspect de la terre? ÉMILIE Que ces cris agitent mes sens! Moi-même, je me crois victime de l orage. (La tempête diminue et la clarté revient) Mais le ciel prend pitié du trouble que je sens, Le ciel, le juste ciel calme l onde et les vents. Je souffrais dans le port les horreurs du naufrage. CHOEUR (qu on ne voit pas) Que nous sert d échapper à la fureur des mers? En évitant la mort nous tombons dans les fers. ÉMILIE D infortunés captifs vont partager nos peines Dans ce redoutable séjour. S ils sont amants, ah! que l amour Va redoubler le poids de l horreur de leurs chaînes! Scène Troisième ÉMILIE Un de ces malheureux approche en soupirant! Hélas! Son infortune est semblable à la mienne! Quel transport confus me surprend? Parlons-lui! Ma patrie est peut-être la sienne. (abordant Valère) Étranger, je vous plains... (le reconnaissant) Ah! Valère, c est vous! VALÈRE (en esclave) C est vous, belle Émilie! ÉMILIE, VALÈRE Je vous revois! Que de malheurs j oublie! De mon cruel destin je ne sens plus les coups. ÉMILIE Par quel sort aujourd hui jeté sur cette rive... VALÈRE Depuis l instant fatal qui nous a séparés, Dans cet climats divers mes soupirs égarés Vous cherchent nuit et jour... je vous trouve captive. ÉMILIE Et ce n est pas encore mon plus cruel malheur. VALÈRE O ciel! Achevez. ÉMILIE Non, suspendez ma douleur! De votre sort daignez enfin m instruire! VALÈRE Un maître que je n ai point vu Dans ce palais m a fait conduire... ÉMILIE Votre maître est le mien. VALÈRE O bonheur imprévu! ÉMILIE Valère, quelle erreur peut ainsi vous séduire! Mon tyran m aime... VALÈRE O désespoir! Non, vous ne sortirez jamais de ses fers! Quoi! Valère ne vous retrouve Que pour vous perdre sans retour? Notre Tyran vous aime! ÉMILIE Et ma douleur le prouve, Je ne demandais pas ce triomphe à l amour. VALÈRE Ah! Sait-on vous aimer dans ce fatal séjour! Sur ces bords une âme enflammée Partage ses voeux les plus doux, Et vous méritez d être aimée Par un coeur qui n aime que vous. Scène Quatrième OSMAN (entrant, à Valère) Esclave, je viens de t entendre, Ton crime m est connu. VALÈRE Je ne m en repens pas. ÉMILIE (troublée, à Osman) Seigneur, est-il coupable? Hélas!... OSMAN (à Émilie) Vous l accusez en voulant le défendre. Vous prétendez en vain cacher votre embarras, Et retenir les pleurs que je vous vois répandre. Vous cédez au penchant de votre coeur trop tendre Ah! du mien je suivrai les lois, Je saurai me venger ainsi que je dois. ÉMILIE (à Osman) Le barbare! VALÈRE (à Osman) J attends l arrêt de ta colère. ÉMILIE (tremblante) Juste ciel! Quel moment! OSMAN (présentant Émilie à Valère) Reçois de moi, Valère, Émilie et la liberté. VALÈRE (gaiement, à Osman) Que dites-vous?... (tristement) Mais non, peut-il être sincère? Il veut tromper nos coeurs... c est trop de cruauté! OSMAN O ciel! Quelle injustice! Quoi! Vous vous défiez de ma sincérité, Dans l instant où mon coeur vous fait le sacrifice Qui jamais ait le plus coûté? Mais je le dois à la reconnaissance. (montrant Valère) Osman fut son esclave, et s efforce aujourd hui D imiter sa magnificence, Dans ce noble sentier, que je suis loin de lui! Il m a tiré des fers sans me connaître... VALÈRE (l embrassant) Mon cher Osman, c est vous! (à Émilie) Osman était mon maître. OSMAN Je vous ai reconnu sans m offrir à vos yeux; J ai fait agir pour vous mon zèle et ma puissance Vos vaisseaux sont rentrés sous votre obéissance. (Les vaisseaux de Valère avancent et paraissent chargés des présents du pacha, portés par des esclaves africains) VALÈRE (surpris) Que vois-je? Ils sont chargés de vos dons précieux! Que de bienfaits! OSMAN Ne comptez que Émilie! VALÈRE O triomphe incroyable! O sublime vertu! ÉMILIE (à Osman) Ne craignez pas que je l oublie! OSMAN Estimez moins un coeur qui s est trop combattu! (On entends les tambourins des Matelots) (avec douleur) J entends vos matelots... Allez sur vos rivages, Mes ordres sont donnés... Allez, vivez contents... Souvenez-vous d Osman... VALÈRE (l arrêtant) Recevez nos hommages! ÉMILIE (à Osman) Écoutez... OSMAN (hésitant) Quoi!... Mais, non! (s en allant) C est souffrir trop longtemps, C est trop à vos regards offrir mon trouble extrême... Je vous dois mon absence, et la dois à moi-même. (Osman sort) Scène Cinquième VALÈRE Fut-il jamais un coeur plus généreux? Digne de notre éloge, il ne veut pas l entendre... Au plus parfait bonheur il a droit de prétendre, Si la vertu peut rendre heureux. Scène Sixième ÉMILIE, VALÈRE Volez, Zéphyrs, tendres amants de Flore! Si vous nous conduisez, tous nos voeux sont remplis, Rivages fortunés de l empire des Lys, Ah! nous vous reverrons encore. CHOEUR Volez, Zéphyrs, tendres amants de Flore! Si vous nous conduisez, tous nos voeux sont remplis. (Air pour les esclaves africains) VALÈRE Hâtez-vous de vous embarquer, Jeunes coeurs, volez à Cythère! Sur cette flotte téméraire On ne peut jamais trop risquer. ÉMILIE Régnez, Amour, ne craignez point les flots! Vous trouverez sur l onde un aussi doux repos Que sous les myrthes de Cythère. Ne craignez point les flots! Ils ont donné le jour à votre aimable mère. Premier Rigaudon Second Rigaudon ÉMILIE Fuyez, vents orageux! Calmez les flots amoureux, Ris et jeux! Charmant Plaisir, fais notre sort Dans la route comme au port! Si, quittant le rivage, La raison fait naufrage, Thétis, dans ce beau jour, N en sert que mieux l Amour. Premier Tambourin Second Tambourin ÉMILIE Partez! On languit sur le rivage, Tendres coeurs, embarquez-vous! CHOEUR Partez! On languit sur le rivage, Tendres coeurs, embarquez-vous! ÉMILIE Voguez! Bravez les vents et l orage! Que l espoir vous guide tous! CHOEUR Partez! On languit sur le rivage, Tendres coeurs, embarquez-vous! Rameau,Jean-Philippe/Les Indes galantes/II
https://w.atwiki.jp/in_extremo/pages/75.html
Du und ich 「君と俺」 詞/In Extremo 曲/In Extremo 言語/ドイツ語 歌詞 Ich seh nichts Ich spüre nichts von dir Ich hör nichts Ich fühle nichts bei dir Du fragst nicht Ich sage nichts von mir Ich weiß nur Ich will alles von dir Kannst du mir sagen, wohin der Wind uns weht? Wie dieser Film zu Ende geht Auf meinem Weg, auf der Suche nach dem Leben Rast die Welt an mir vorbei Ich ziehe rastlos durch die Straßen Und verliere mich dabei Ich erträum dich Will zum Schein nur bei dir sein Ich umzäun mich Bin doch nicht gern allein Du fragst mich Bist du mein Es erfreut mich Nur einen Moment in dir zu sein Kannst du mir sagen „Wie weit muss ich noch gehen?“ Bleibt denn der Zeiger niemals stehen Auf meinem Weg, auf der Suche nach dem Leben Rast die Welt an mir vorbei Ich ziehe rastlos durch die Straßen Und verliere mich dabei Auf meinem Weg, auf der Suche nach dem Leben Rast die Welt an mir vorbei Ich ziehe rastlos durch die Straßen Und verliere mich dabei 日本語訳 何も見えない 君に触れているのに、何の感触も無い 何も聞こえない 君のそばにいるのに、何も心が動かない 君は何も聞かない 俺も自分については語らない わかっていることはただ 君の全てが欲しいということだ 教えてくれないか 俺達のもとに吹く風はどこへ向かっているのか この映画はどんな結末を迎えるのか 自分の道を生き、自分の人生を追い求めているうちに 世界はものすごい勢いで俺のそばを通り過ぎていく 休む間もなく、色々な道を駆けずり回っているうちに 俺は自分を失い続けているんだ 君のことを夢想する 見せかけだけでもいいから、そばにいれればいいのに 俺は周りに壁を作る 一人ではいたくないにも関わらず 君は俺に聞く 私はあなたのものかと それを聞いて俺は嬉しかった 一瞬だけでも君の中にいれたのだから 君はこう聞くかもしれない 「あとどれくらい遠くへ行かないといけないの?」と 時計の針が止まることはないのだから 自分の道を生き、自分の人生を追い求めているうちに 世界はものすごい勢いで俺のそばを通り過ぎていく 休む間もなく、色々な道を駆けずり回っているうちに 俺は自分を失い続けているんだ 自分の道を生き、自分の人生を追い求めているうちに 世界はものすごい勢いで俺のそばを通り過ぎていく 休む間もなく、色々な道を駆けずり回っているうちに 俺は自分を失い続けているんだ
https://w.atwiki.jp/vocaloidenglishlyric/pages/480.html
【Tags Meiko Shigotoshite-P tC tT Y】 Original Music title 黄泉桜 English music title The Cherry Tree of The Land of The Dead / The Cherry Tree of the Afterworld Romaji music title Yomizakura Music Lyrics written, Voice edition by hinayukki / 仕事してP(Shigotoshite-P) Music arranged by hinayukki / 仕事してP(Shigotoshite-P) Singer(s) Meiko Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain): What appeared from the depth of the darkness is the hazy moon Please send your faint golden light to the earth I, who turn into light crimson, is a cherry tree from the land of the dead, I ll bloom all over to see off the wandering souls To let them get free from the feelings that bind themselves to the place in this world, And not to make them regret at parting I ll bloom beautiful blossoms as farewell gifts for them who go on to their next journey Not to make people cry over being left behind, curse the future and sink to the depths of sorrow I ll bloom beautiful blossoms and deliver the light crimson color to them tonight again By the time in the lunar February when I lost you who I ve shared time in a long while with as our fate You depart at the dawn of the spring, my beloved To let you get free from the feelings that bind yourself to the place in this world, And not to make you regret at parting I ll bloom beautiful blossoms as farewell gifts for you who go on to your next journey I m not even allowed to cry over being left behind and the only thing I can do is Blooming beautiful blossoms and I ll cry by making them fall as my tears Ah, flower petals falling flutteringly, let s see off the souls Till they get to the far-away land of the dead with the feelings of many people The hearts of the people who left behind, please do not be disconsolate Just blossom beautifully with the falling light crimson By the time in the lunar February when I lost you who I ve shared time in a long while with as our fate I send the flower petals to you who I parted with, my beloved I, who turn into light crimson, is a cherry tree from the land of the dead I ll let the blossoms fall and wish them to be farewell gifts for you who set off on your next journey Romaji lyrics (transliterated by blacksaingrain): fukaku yami yori ideshi wa oboro-zuki awaki kin iro no hikari chi eto todoke tamou usubeni ni somaru watashi wa yomi-zakura koyoi sakimidare samayou mitama okuri mashou chi ni shibari shibarareru sono kokoro wo toki wakare wo oshimu koto naki you utsukushiki hana sakase tsuginaru tabiji e mukau karera no hanamuke ni nokosareru koto nageki sono mirai wo noroi kanashimi no soko shizumanu you utsukushiki hana sakase usubeni iro wo koyoi mo karera ni todoke mashou nagaki enishi tsuieta kisaragi no koro haru akatsuki ni tabidatsu waga itoshi kimi yo chi ni shibari shibarareru sono kokoro wo toki wakare wo oshimu koto naki you utsukushiki hana sakase tsuginaru tabiji e mukau kimi eno hanamuke ni nokosareru koto nageku koto mo yurusarenai watashi ni hitotsu dekiru koto utsukushiki hana sakase usubeni iro wo namida ni kaete chirasete nakou hirari maichiru hanabira yo haruka yomotsukuni made amata no kokoro to tomoni karera no mitama wo okuri mashou nokosa reshi hito no omoi yo douka shizumu koto naku chiri yuku usubeni iro to tomoni utsukushiku sakihokore nagaki enishi ga tsuieta tooki kisaragi no koro haru akatsuki ni wakareta itoshi kimi e okuru hanabira wo usubeni iro ni somariyuku watashi wa yomi-zakura utsukushiki hana chirasete tabidatsu kimi eno hanamuke to nare [hinayukki, Shigotoshite-P, ShigotoshiteP]
https://w.atwiki.jp/elvis/pages/4439.html
Hamlet, Prince of Denmark Indypublish.Com? William Shakespeare? Indypublish.Com? WilliamShakespeare? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Classics-British-Shakespeare,William? Subjects-Literature&Fiction-Drama-British&Irish-Shakespeare? Subjects-Literature&Fiction-Drama-General? Subjects-Literature&Fiction-Authors,A-Z-(S)-Shakespeare,William-Hardcover? Subjects-Literature&Fiction-WorldLiterature-British-Shakespeare? For Sale by Owner Univ Editions? Sarina Smith? UnivEditions? SarinaSmith? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Hermione and Her Little Group of Serious Thinkers Indypublish.Com? Don Marquis? Indypublish.Com? DonMarquis? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Maps of Heaven, Maps of Hell Religious Terror As Memory from the Puritans to Stephen King Paragon House? Ed Ingebretsen? ParagonHouse? EdIngebretsen? ユーズドブック(洋書)-Horror? Substores-UnknownASINs-35 Subjects-Horror-UnitedStates? Subjects-Horror-General? Subjects-Literature&Fiction-GenreFiction-Horror-UnitedStates? Subjects-Literature&Fiction-GenreFiction-Horror-General? Subjects-Literature&Fiction-History&Criticism-Movements&Periods-GothicRevival? Subjects-Literature&Fiction-History&Criticism-UnitedStates-General? Subjects-Religion&Spirituality-ReligiousStudies-History? Hedda Gabler Indypublish.Com? Henrik Ibsen? Indypublish.Com? HenrikIbsen? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Drama-ContinentalEuropean? Subjects-Literature&Fiction-Drama-Playwrights,A-Z-(I)-Ibsen,Henrik? Subjects-Literature&Fiction-Drama-General? The Fall of Hong Kong The Secret History of Britain's Betrayal and China's Triumph Paragon House? Mark Roberti? ParagonHouse? MarkRoberti? Substores-UnknownASINs-35 Subjects-History-Asia-China-General? Subjects-History-Asia-HongKong? Subjects-History-Europe-England-General? Expedited Funds Availability Regulation Cc Compliance Manual Sheshunoff & Co? Robert Braun? Sheshunoff&Co? RobertBraun? Substores-UnknownASINs-35 Subjects-Law-Business-Banking? Subjects-Law-PrivateLaw? Subjects-Nonfiction-Law-Business-Banking? Subjects-Nonfiction-Law-PrivateLaw? A History of Science Indypublish.Com? Henry Smith Williams? Indypublish.Com? HenrySmithWilliams? Substores-UnknownASINs-35 Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? The Frozen Horror Univ Editions? Ken Delo? UnivEditions? KenDelo? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Poetry-SingleAuthors-UnitedStates? Subjects-Literature&Fiction-Poetry-UnitedStates-General? Subjects-Literature&Fiction-Poetry-UnitedStates-20thCentury? Compliance Officerªs Management Manual Sheshunoff & Co? Patsy Parkin? Jim Mccullouch? Sheshunoff&Co? PatsyParkin? JimMccullouch? Substores-UnknownASINs-35 Subjects-Business&Investing-PersonalFinance-CreditRepair? Subjects-Law-Business-Banking? Subjects-Law-Business-ConsumerLaw? Subjects-Law-PrivateLaw? Subjects-Nonfiction-Law-Business-Banking? Subjects-Nonfiction-Law-Business-ConsumerLaw? Subjects-Nonfiction-Law-PrivateLaw? Jewish Presence in the Universal Church (Princeton Theological Monograph Series, No 35) Pickwick Pubns? Jane Haapiseva-Hunter? PickwickPubns? JaneHaapiseva-Hunter? undefined undefined The Holy Bible Indypublish.Com? Author Unknown? Indypublish.Com? AuthorUnknown? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-Bibles-Other? Subjects-Religion&Spirituality-Christianity-Bibles-General? Adventures of Britnee the Bear Britnee Gets Her Wish Univ Editions? Robert S. Hansen? Jill Wicht? UnivEditions? RobertS.Hansen? JillWicht? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? The Holy Bible Continued Indypublish.Com? Author Unknown? Indypublish.Com? AuthorUnknown? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-Bibles-Other? Subjects-Religion&Spirituality-Christianity-Bibles-General? Bank Procedures a Working Guide to Regulatory Compliance Sheshunoff & Co? Jerry Miller? Sheshunoff&Co? JerryMiller? Substores-UnknownASINs-35 Subjects-Law-Business-Banking? Subjects-Law-PrivateLaw? Subjects-Nonfiction-Law-Business-Banking? Subjects-Nonfiction-Law-PrivateLaw? Original English Vocabulary Cards Computer Visual Education Assn? VisualEducationAssn? Substores-UnknownASINs-35 Subjects-Nonfiction-Education-General? Rover and Other Cats Reflections of a Mad Catter Paragon House? Hugh Leonard? William Geldart? ParagonHouse? HughLeonard? WilliamGeldart? Substores-UnknownASINs-35 Subjects-Entertainment-Humor-Cats,Dogs&Animals? Subjects-Entertainment-Humor-Satire,General? Subjects-Literature&Fiction-WorldLiterature-British-Humor? Roots A Guide to the History, Uses, and Lore of the Plant World That Lies Beneath the Ground Paragon House? Douglas B. Elliott? ParagonHouse? DouglasB.Elliott? Substores-UnknownASINs-35 Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Flora-Trees-Seed-BearingPlants? Subjects-Science-Nature&Ecology-General? Subjects-Science-Nature&Ecology-Plants-Trees-Seed-BearingPlants? Transitions and Tradition in Military Strategy Beyond Cold War Nostalgia Paragon House? Stephen J. Cimbala? ParagonHouse? StephenJ.Cimbala? Substores-UnknownASINs-35 Subjects-History-MilitaryScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Bank Marketing and Advertising Regulatory Compliance Sheshunoff & Co? Robert Braun? Sheshunoff&Co? RobertBraun? Substores-UnknownASINs-35 Subjects-Law-Business-Banking? Subjects-Law-PrivateLaw? Subjects-Nonfiction-Law-Business-Banking? Subjects-Nonfiction-Law-PrivateLaw? Bankerªs Real Estate Appraisal Compliance Manual Sheshunoff & Co? Sis? Sheshunoff&Co? Sis? Substores-UnknownASINs-35 Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Law-Business-Banking? Subjects-Nonfiction-Law-Business-Banking? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? A History of Science Indypublish.Com? Henry Smith Williams? Indypublish.Com? HenrySmithWilliams? Substores-UnknownASINs-35 Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Blank Vocabulary Cards Boxed Set/1000 Visual Education Assn? VisualEducationAssn? Substores-UnknownASINs-35 Subjects-Nonfiction-Education-Reference-Words&Language-General? Subjects-Reference-Words&Language-General? Subjects-Reference-General? Truth in Savings Sheshunoff & Co? Robert Braun? Sheshunoff&Co? RobertBraun? Substores-UnknownASINs-35 Subjects-Law-Business-Banking? Subjects-Law-PrivateLaw? Subjects-Nonfiction-Law-Business-Banking? Subjects-Nonfiction-Law-PrivateLaw? Fair Lending Laws Compliance Manual Sheshunoff & Co? Jerry Miller? Sheshunoff&Co? JerryMiller? Substores-UnknownASINs-35 Subjects-Law-Business-Banking? Subjects-Law-PrivateLaw? Subjects-Nonfiction-Law-Business-Banking? Subjects-Nonfiction-Law-PrivateLaw? Planetarium A Retrospective 1950-1980 Watershed Tapes Cassettes? Adrienne Cecile Rich? WatershedTapesCassettes? AdrienneCecileRich? Substores-UnknownASINs-35 Formats-Audiocassettes-General? Cal 97 California Graphic Arts Center Pub Co? Larry Ulrich? GraphicArtsCenterPubCo? LarryUlrich? Substores-UnknownASINs-35 Subjects-Travel-UnitedStates-Regions-West-General? History of the Catholic Church from the Renaissance to the French Revolution Indypublish.Com? James MacCaffrey? Indypublish.Com? JamesMacCaffrey? Substores-UnknownASINs-35 Subjects-History-Europe-France-General? Subjects-History-Europe-France-Revolution? Subjects-Religion&Spirituality-Christianity-ChurchHistory-Catholic? Subjects-Religion&Spirituality-Christianity-ChurchHistory-General? Subjects-Religion&Spirituality-Christianity-Catholicism-General? Subjects-Religion&Spirituality-Christianity-Catholicism-RomanCatholicism? Subjects-Religion&Spirituality-ReligiousStudies-History? Country Bride (Bride and Groom, No 3) Lynx Books? Judy Baer? LynxBooks? JudyBaer? Substores-UnknownASINs-35 Subjects-Romance-Regency? The Home Book of Verse Indypublish.Com? Burton Egbert Stevenson? Indypublish.Com? BurtonEgbertStevenson? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Poetry-Anthologies? Subjects-Literature&Fiction-Poetry-General? Subjects-Literature&Fiction-Poetry-SingleAuthors-British&Irish? Regulation F Compliance Service Sheshunoff & Co? Sis? Sheshunoff&Co? Sis? Substores-UnknownASINs-35 Subjects-Law-Business-Banking? Subjects-Nonfiction-Law-Business-Banking? Manual of Pelvic and Acetabular Fixation Slack Inc? Mears? SlackInc? Mears? Substores-UnknownASINs-35 Subjects-Professional&Technical-Medical-Medicine-Surgery-Orthopedics? Regulatory Compliance Certification Program Sheshunoff & Co? Patsy Parkin? Sheshunoff&Co? PatsyParkin? Substores-UnknownASINs-35 Subjects-Law-Business-Banking? Subjects-Nonfiction-Law-Business-Banking? Handbook of External Diseases of the Eye Slack Inc? George M., M.D. Bohigian? SlackInc? GeorgeM.,M.D.Bohigian? Substores-UnknownASINs-35 Subjects-Medicine-Specialties-Ophthalmology? Subjects-Medicine-Specialties-Surgery? Subjects-Science-Medicine-Specialties-Ophthalmology? Subjects-Science-Medicine-Specialties-Surgery? Audubon Songbirds Notecards Abbeville Press Inc.,U.S.? AbbevillePressInc.,U.S.? undefined undefined Nepal A Children's Travelogue Univ Editions? Maryan Hurtt? UnivEditions? MaryanHurtt? Substores-UnknownASINs-35 Subjects-History-Asia? Subjects-Travel-Asia-General? Subjects-Travel-Asia-India-General? Terminal and Life Threatening Illness an Occupational Behavioral Perspective Slack Inc? Kent N. Tigges? William M. Marcil? SlackInc? KentN.Tigges? WilliamM.Marcil? Substores-UnknownASINs-35 Subjects-Medicine-General? Subjects-Medicine-Pharmacology-PainMedicine? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Professional&Technical-Medical-AlliedHealthProfessions-OccupationalTherapy? Subjects-Science-Medicine-General? Subjects-Science-Medicine-Pharmacology-PainMedicine? Banker's Agricultural Lending Manual Sheshunoff & Co? Sis? Sheshunoff&Co? Sis? Substores-UnknownASINs-35 Subjects-Business&Investing-Economics-PublicFinance? Subjects-Law-Business-Banking? Subjects-Nonfiction-Economics-PublicFinance? Subjects-Nonfiction-Law-Business-Banking? Subjects-Professional&Technical-Accounting&Finance-Economics-PublicFinance? Why Don't Dogs Go Bald? Univ Editions? Lois Sauritch Procko? George, Jr. Procko? UnivEditions? LoisSauritchProcko? George,Jr.Procko? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? Materials Issues in Art and Archaeology II Symposium Held April 17-21, 1990, San Francisco, California, U.S.A. (Materials Research Society Symposium Proceedings) Materials Research Society? Pamela B. Vandiver? James Druzik? MaterialsResearchSociety? PamelaB.Vandiver? JamesDruzik? Substores-UnknownASINs-35 Subjects-Arts&Photography-Art-Instruction&Reference-PreservationofArt? Subjects-Arts&Photography-Art-General? A History of Science Indypublish.Com? Henry Smith Williams? Indypublish.Com? HenrySmithWilliams? Substores-UnknownASINs-35 Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? A History of Science Indypublish.Com? Henry Smith Williams? Indypublish.Com? HenrySmithWilliams? Substores-UnknownASINs-35 Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Cra Fair Lending Compliance Service Sheshunoff & Co? David McNamara? R. S. M. McGladrey? Sheshunoff&Co? DavidMcNamara? R.S.M.McGladrey? Substores-UnknownASINs-35 Subjects-Business&Investing-PersonalFinance-CreditRepair? Subjects-Law-Business-Banking? Subjects-Law-Business-ConsumerLaw? Subjects-Nonfiction-Law-Business-Banking? Subjects-Nonfiction-Law-Business-ConsumerLaw? Life and Times of Wolfram of Eschenbach Univ Editions? J. Wesley Thomas? UnivEditions? J.WesleyThomas? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-WorldLiterature-UnitedStates? Ferragus, Chief of the Devorants Indypublish.Com? Honore de Balzac? Indypublish.Com? HonoredeBalzac? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Authors,A-Z-(B)-Balzac,Honorede? Subjects-Literature&Fiction-General-Literary? Secret of Misty Harlow Univ Editions? Courtney Taylor? UnivEditions? CourtneyTaylor? Substores-UnknownASINs-35 Subjects-Teens? From Idolatry to Advertising Visual Art and Contemporary Culture Paragon House? Susan G. Josephson? ParagonHouse? SusanG.Josephson? Substores-UnknownASINs-35 Subjects-Nonfiction-Philosophy-Ethics&Morality? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Hymn to Life and Other Poems (Cassette) Watershed Tapes Cassettes? James Schuyler? WatershedTapesCassettes? JamesSchuyler? Substores-UnknownASINs-35 Formats-Audiocassettes-General? Ophthalmic Technical Skills Series Slack Inc? Candace P. Wolfe? SlackInc? CandaceP.Wolfe? Substores-UnknownASINs-35 Subjects-Medicine-Specialties-Ophthalmology? Subjects-Professional&Technical-Medical-Medicine-Surgery-Ophthalmology? Subjects-Science-General Subjects-Science-Medicine-Specialties-Ophthalmology? Curious Jessica and Her Weird Family Album Univ Editions? Doris A. Christopher? UnivEditions? DorisA.Christopher? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? Substores-UnknownASINs-35 洋書
https://w.atwiki.jp/air-otaku/pages/36.html
HTTP リクエスト (HTTP Request) 確認バージョン 2.11 概要 HTTPまたはHTTPSでサーバーにデータを送信する。 関連URL http //jmeter.apache.org/usermanual/component_reference.html#HTTP_Request 画面 初期画面 TBD 項目 TBD 例 TDB FAQ ダウンロードするデータが大きい場合にメモリの消費を抑える オプションタスクの「Save response as MD5 hash?」にチェックする。 レスポンスで取得するデータが32文字のMD5に変換される。 [ ページの上へ ] 更新日時:2014-06-02 タグ:Apache JMeter
https://w.atwiki.jp/pyopyo0124/pages/40.html
CHAPTER XXV UP CHAPTER XXVII CHAPTER XXVI The Story Club Is Formed Junior Avonlea found it hard to settle down to humdrum existence again. To Anne in particular things seemed fearfully flat, stale, and unprofitable after the goblet of excitement she had been sipping for weeks. Could she go back to the former quiet pleasures of those faraway days before the concert? At first, as she told Diana, she did not really think she could. "I m positively certain, Diana, that life can never be quite the same again as it was in those olden days," she said mournfully, as if referring to a period of at least fifty years back. "Perhaps after a while I ll get used to it, but I m afraid concerts spoil people for everyday life. I suppose that is why Marilla disapproves of them. Marilla is such a sensible woman. It must be a great deal better to be sensible; but still, I don t believe I d really want to be a sensible person, because they are so unromantic. Mrs. Lynde says there is no danger of my ever being one, but you can never tell. I feel just now that I may grow up to be sensible yet. But perhaps that is only because I m tired. I simply couldn t sleep last night for ever so long. I just lay awake and imagined the concert over and over again. That s one splendid thing about such affairs--it s so lovely to look back to them." Eventually, however, Avonlea school slipped back into its old groove and took up its old interests. To be sure, the concert left traces. Ruby Gillis and Emma White, who had quarreled over a point of precedence in their platform seats, no longer sat at the same desk, and a promising friendship of three years was broken up. Josie Pye and Julia Bell did not "speak" for three months, because Josie Pye had told Bessie Wright that Julia Bell s bow when she got up to recite made her think of a chicken jerking its head, and Bessie told Julia. None of the Sloanes would have any dealings with the Bells, because the Bells had declared that the Sloanes had too much to do in the program, and the Sloanes had retorted that the Bells were not capable of doing the little they had to do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon s sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy s little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne s birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter s Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I m thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I m in my teens. When I woke this morning it seemed to me that everything must be different. You ve been thirteen for a month, so I suppose it doesn t seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I ll be really grown up. It s a great comfort to think that I ll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she s fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She s actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I m afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don t they? I simply can t talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I m trying to be as much like Mrs. Allan as I possibly can, for I think she s perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn t really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it s proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I m striving very hard to overcome it and now that I m really thirteen perhaps I ll get on better." "In four more years we ll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that s ridiculous. I shall wait until I m seventeen." "If I had Alice Bell s crooked nose," said Anne decidedly, "I wouldn t--but there! I won t say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that s vanity. I m afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there s a rabbit. That s something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They re so white and still, as if they were asleep and dreaming pretty dreams." "I won t mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we re to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it s as easy as wink," said Anne. "It s easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It s called `The Jealous Rival; or In Death Not Divided. I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It s a sad, sweet story. I just cried like a child while I was writing it. It s about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I ve found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she d likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said, `What do you say, darling pet, if we get hitched this fall? And Susan said, `Yes--no--I don t know--let me see --and there they were, engaged as quick as that. But I didn t think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn t done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine s friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking, `Ha, ha, ha. But Bertram saw it all and he at once plunged into the current, exclaiming, `I will save thee, my peerless Geraldine. But alas, he had forgotten he couldn t swim, and they were both drowned, clasped in each other s arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It s so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew s school of critics. "I don t see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you d only cultivate it," said Anne cheeringly. "I ve just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I ll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It s extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane s stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn t know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn t hard for I ve millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You ll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." "But we re so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I m sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back that we were to send her some of our stories. So we copied out four of our very best and sent them. Miss Josephine Barry wrote back that she had never read anything so amusing in her life. That kind of puzzled us because the stories were all very pathetic and almost everybody died. But I m glad Miss Barry liked them. It shows our club is doing some good in the world. Mrs. Allan says that ought to be our object in everything. I do really try to make it my object but I forget so often when I m having fun. I hope I shall be a little like Mrs. Allan when I grow up. Do you think there is any prospect of it, Marilla?" "I shouldn t say there was a great deal" was Marilla s encouraging answer. "I m sure Mrs. Allan was never such a silly, forgetful little girl as you are." "No; but she wasn t always so good as she is now either," said Anne seriously. "She told me so herself--that is, she said she was a dreadful mischief when she was a girl and was always getting into scrapes. I felt so encouraged when I heard that. Is it very wicked of me, Marilla, to feel encouraged when I hear that other people have been bad and mischievous? Mrs. Lynde says it is. Mrs. Lynde says she always feels shocked when she hears of anyone ever having been naughty, no matter how small they were. Mrs. Lynde says she once heard a minister confess that when he was a boy he stole a strawberry tart out of his aunt s pantry and she never had any respect for that minister again. Now, I wouldn t have felt that way. I d have thought that it was real noble of him to confess it, and I d have thought what an encouraging thing it would be for small boys nowadays who do naughty things and are sorry for them to know that perhaps they may grow up to be ministers in spite of it. That s how I d feel, Marilla." "The way I feel at present, Anne," said Marilla, "is that it s high time you had those dishes washed. You ve taken half an hour longer than you should with all your chattering. Learn to work first and talk afterwards." CHAPTER XXV UP CHAPTER XXVII 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 20 07 (Tue)
https://w.atwiki.jp/touhoukashi/pages/1294.html
【登録タグ A Chen-U Nothing but Flowers 曲 発熱巫女~ず 素敵な墓場で暮しましょ】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/elvis/pages/4298.html
Understanding Yourself by Understanding Your Dreams (Self-Awareness Cassettes) Great Amer Audio Co? Stanley Krippner? GreatAmerAudioCo? StanleyKrippner? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-NewAge-Dreams? Subjects-Religion&Spirituality-BooksonCassette-General? Formats-Audiocassettes-Religion&Spirituality-General? Formats-Audiocassettes-General? Subliminal Lose Weight Great American Audio Corporation? Lee Pulos? GreatAmericanAudioCorporation? LeePulos? Substores-UnknownASINs-35 Subjects-Health,Mind&Body-Self-Help-General? Lose Weight Great American Audio Corporation? GreatAmericanAudioCorporation? Substores-UnknownASINs-35 Subjects-Health,Mind&Body? Lose Weight Great American Audio Corporation? GreatAmericanAudioCorporation? Substores-UnknownASINs-35 Subjects-Health,Mind&Body? Big Bands Fitness Walking Great American Audio Corporation? GreatAmericanAudioCorporation? Substores-UnknownASINs-35 Subjects-Health,Mind&Body-Exercise&Fitness? Training and Healthcare for Cats Great American Audio Corporation? Mark R. Meadows? GreatAmericanAudioCorporation? MarkR.Meadows? Substores-UnknownASINs-35 Subjects-Home&Garden-AnimalCare&Pets-Cats-General? Subjects-Medicine-VeterinaryMedicine-SmallAnimalMedicine? Subjects-Science-Medicine-VeterinaryMedicine-SmallAnimalMedicine? Formats-Audiocassettes-General? Fast Track Japanese For Business Pleasure Great Amer Audio Co? Hiroshi Kawamura? GreatAmerAudioCo? HiroshiKawamura? Substores-UnknownASINs-35 Subjects-Nonfiction-Education-Reference-Words&Language-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-Phrasebooks-General? Subjects-Nonfiction-Education-LanguageInstruction-Japanese-BooksonCassette? Subjects-Nonfiction-BooksonCassette-General? Subjects-Reference-ForeignLanguages-Instruction-Phrasebooks-General? Subjects-Reference-ForeignLanguages-Japanese-BooksonCassette? Subjects-Reference-Words&Language-General? Formats-Audiocassettes-Languages-Japanese? Formats-Audiocassettes-Nonfiction-General? Formats-Audiocassettes-General? At the Sound of the Beep Great American Audio Corporation? GreatAmericanAudioCorporation? Substores-UnknownASINs-35 Subjects-Entertainment-Humor? Formats-Audiocassettes-General? The Best of Sherlock Holmes Great American Audio Corporation? Sir Arthur Conan Doyle? GreatAmericanAudioCorporation? SirArthurConanDoyle? Substores-UnknownASINs-35 Subjects-Mystery&Thrillers? Find That Tune An Index to Rock, Folk-Rock, Disco Soul in Collections Neal Schuman Pub? William Gargan? Sue Sharma? NealSchumanPub? WilliamGargan? SueSharma? Substores-UnknownASINs-35 Subjects-Entertainment-Music-Reference-Discographies&Buyer sGuides? Subjects-Entertainment-Music-Reference-General? Subjects-Entertainment-Music-General? Subjects-Entertainment-Music-MusicalGenres-Rock? Hands-On Information Literacy Activities Neal Schuman Pub? Jane Birks? Fiona Hunt? NealSchumanPub? JaneBirks? FionaHunt? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Books&Reading-Literacy? Subjects-Nonfiction-SocialSciences-Library&InformationScience-General? Subjects-Nonfiction-SocialSciences-Library&InformationScience-InformationStorage&Retrieval? Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-Reading? Subjects-Professional&Technical-Education-Pedagogy? Subjects-Professional&Technical-Education-SpecificSkills-LanguageArts? Now for My Next Trick Alyson Publications Inc.,U.S.? Michael Willhoite? AlysonPublicationsInc.,U.S.? MichaelWillhoite? Substores-UnknownASINs-35 Subjects-Arts&Photography-Art-General? Subjects-Arts&Photography-GraphicDesign-Drawing-General? The Daddy Machine Alyson Pubns? Johnny Valentine? Lynette Schmidt? AlysonPubns? JohnnyValentine? LynetteSchmidt? Substores-UnknownASINs-35 Subjects-Children sBooks? Subjects-Teens-SocialIssues-Homosexuality-Fiction? The Crystal Curtain Alyson Pubns? Sandy Bayer? AlysonPubns? SandyBayer? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Subjects-Mystery&Thrillers-General? Subjects-Mystery&Thrillers-Mystery-General? Sunbeams Alyson Pubns? Tony Patrioli? AlysonPubns? TonyPatrioli? Substores-UnknownASINs-35 Subjects-Arts&Photography-Photography-Equipment? Subjects-Health,Mind&Body-Psychology&Counseling-General? The Best Man Alyson Pubns? Paul Reidinger? AlysonPubns? PaulReidinger? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? From Female to Male The Life of Jack Bee Garland Alyson Pubns? Louis Sullivan? AlysonPubns? LouisSullivan? ユーズドブック(洋書)-Gay&Lesbian? Substores-UnknownASINs-35 Subjects-Biographies&Memoirs-General? Subjects-Gay&Lesbian-Biographies&Memoirs-General? Subjects-Gay&Lesbian-Biographies&Memoirs-Transgender? Subjects-Gay&Lesbian-Nonfiction-Transgender? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-Marriage&Family? Subjects-Nonfiction-SocialSciences-Sociology-SocialGroups? Subjects-Nonfiction-SocialSciences-SpecialGroups-Gay&Lesbian? Subjects-Science-General Oil and Gasoline A Story of Two Survivors Alyson Pubns? Billi Gordon? Taylor-Anne Wentworth? AlysonPubns? BilliGordon? Taylor-AnneWentworth? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-WorldLiterature-UnitedStates? Anna Day and the O-Ring Alyson Pubns? Elaine Wickens? AlysonPubns? ElaineWickens? Substores-UnknownASINs-35 Subjects-Children sBooks? The Raging Peace (The Throne Trilogy) Alyson Pubns? Artemis Oakgrove? AlysonPubns? ArtemisOakgrove? ユーズドブック(洋書)-Gay&Lesbian? Substores-UnknownASINs-35 Subjects-Gay&Lesbian-Literature&Fiction-Fiction-General? Subjects-Gay&Lesbian-Literature&Fiction-Fiction-Gay? Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-GenreFiction-Gay&Lesbian-General? Subjects-Literature&Fiction-GenreFiction-Gay&Lesbian-Gay? The Hispanic Presence in the New Evangelization in the United States United States Catholic Conference? National Conference of Catholic Bishops? UnitedStatesCatholicConference? NationalConferenceofCatholicBishops? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-Catholicism-General? On Catechesis in Our Time United States Catholic Conference? Pope John Paul II? UnitedStatesCatholicConference? PopeJohnPaulII? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-Education-General? Subjects-Religion&Spirituality-Christianity-Authors,A-Z-(J)-JohnPaulII,Pope? Peacemaking Moral and Policy Challenges for a New World (Publication, No. 682-4) Georgetown Univ Pr? Drew Christiansen? Gerard F. Powers? Robert T. Hennemeyer? GeorgetownUnivPr? DrewChristiansen? GerardF.Powers? RobertT.Hennemeyer? Substores-UnknownASINs-35 Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-CurrentEvents-War&Peace? Subjects-Religion&Spirituality-Christianity-Theology-General? Subjects-Religion&Spirituality-ReligiousStudies-Theology-General? Women Write International Lynne Rienner Publishers Inc,US? Sylvester? LynneRiennerPublishersInc,US? Sylvester? undefined undefined Data Development in International Research (Merriam Series on Analytical Political Research) Lynne Rienner Pub? Richard L. Merritt? Dina A. Zinnes? LynneRiennerPub? RichardL.Merritt? DinaA.Zinnes? Substores-UnknownASINs-35 Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-SocialSciences-Methodology? Subjects-Nonfiction-SocialSciences-Research? Nigeria and the International Capitalist System (G S I S Monograph Series in World Affairs) Lynne Rienner Pub? Toyin Falola? Julius Omozuanvbo Ihonvbere? LynneRiennerPub? ToyinFalola? JuliusOmozuanvboIhonvbere? Substores-UnknownASINs-35 Subjects-Business&Investing-Economics-International? Subjects-Business&Investing-General? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-Economics-International? Subjects-Professional&Technical-Accounting&Finance-International-Economics? Managing Organizations in Developing Countries An Integrative Approach Lynne Rienner Pub? Moses N. Kiggundu? LynneRiennerPub? MosesN.Kiggundu? undefined undefined New Technologies and Development Experiences in Technology Blending Lynne Rienner Pub? A. S. Bhalla? Dilmus James? LynneRiennerPub? A.S.Bhalla? DilmusJames? Substores-UnknownASINs-35 Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-General Subjects-Science-Technology-Technology&PublicPolicy? Islam, Guerrilla War, and Revolution (Study in Comparative Social History) Lynne Rienner Pub? Haim Gerber? LynneRiennerPub? HaimGerber? Substores-UnknownASINs-35 Subjects-History-Asia? Subjects-History-World-Islamic? Subjects-Nonfiction-Politics-Ideologies? Subjects-Nonfiction-Politics-Activism? Subjects-Nonfiction-SocialSciences-PoliticalScience-SystemsOfGovernment-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-SystemsOfGovernment-IslamicGovernment? Science, Politics and International Conferences A Functional Analysis of the Moscow Political Science Congress (G S I S Monograph Series in World Affairs) Lynne Rienner Pub? Richard L. Merritt? Elizabeth C. Hanson? LynneRiennerPub? RichardL.Merritt? ElizabethC.Hanson? Substores-UnknownASINs-35 Subjects-Nonfiction-SocialSciences-Sociology? Subjects-Nonfiction-SocialSciences-PoliticalScience-General? The Middle Period in Latin America Values and Attitudes in the 17Th-19th Centuries Lynne Rienner Pub? Mark D. Szuchman? LynneRiennerPub? MarkD.Szuchman? Substores-UnknownASINs-35 Subjects-History-Americas-SouthAmerica-General? Power and Insecurity Beijing, Moscow, and Washington, 1949-1988 Lynne Rienner Pub? Harvey W. Nelsen? LynneRiennerPub? HarveyW.Nelsen? Substores-UnknownASINs-35 Subjects-History-Europe? Subjects-Nonfiction-Politics-International-Relations? Agricultural Commercialization, Nutrition, and the Rural Poor A Study of Philippine Farm Households Lynne Rienner Pub? Howarth E. Bouis? Lawrence James Haddad? LynneRiennerPub? HowarthE.Bouis? LawrenceJamesHaddad? Substores-UnknownASINs-35 Subjects-Business&Investing-Economics-Agricultural? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Economics-Agricultural? Subjects-Professional&Technical-Accounting&Finance-Economics-Agricultural? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-General Subjects-Science-AgriculturalSciences-Economics? Cuba and the United States Will the Cold War in the Caribbean End? (Woodrow Wilson Center Current Studies in Latin America) Lynne Rienner Pub? Joseph S. Tulchin? Rafael Hernandez? LynneRiennerPub? JosephS.Tulchin? RafaelHernandez? Substores-UnknownASINs-35 Subjects-History-Americas-Caribbean&WestIndies-Cuba? Subjects-History-Americas-UnitedStates? Subjects-Nonfiction-Politics-International-Relations? Modern Rice Technology and Income Distribution in Asia Lynne Rienner Pub? Cristina C. David? Keijiro Otsuka? LynneRiennerPub? CristinaC.David? KeijiroOtsuka? Substores-UnknownASINs-35 Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Industries&Professions-General? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-AgriculturalSciences? Building Peace in the Middle East L.Rienner,U.S.? Elise Boulding? L.Rienner,U.S.? EliseBoulding? undefined undefined Democracy Socialism in Sandi Macmillan Education Australia? Harry Vanden? MacmillanEducationAustralia? HarryVanden? undefined undefined Greed Grievance Economic Agendas in Civil Wars Lynne Rienner Pub? International Peace Academy? Mats R. Berdal? David M. Malone? LynneRiennerPub? InternationalPeaceAcademy? MatsR.Berdal? DavidM.Malone? Substores-UnknownASINs-35 Subjects-Business&Investing-Economics-EconomicConditions? Subjects-Business&Investing-International-EconomicConditions? Subjects-History-Military-General? Subjects-Nonfiction-SocialSciences-ViolenceinSociety? Subjects-Nonfiction-Economics-EconomicConditions? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicConditions? Wing Commander Baen Books,U.S.? Mercedes Lackey? Ellen Guon? BaenBooks,U.S.? MercedesLackey? EllenGuon? Substores-UnknownASINs-35 Subjects-ScienceFiction&Fantasy-ScienceFiction? Ed Paschke Art Inst of Chicago Museum Shop? Neal Benezra? ArtInstofChicagoMuseumShop? NealBenezra? Substores-UnknownASINs-35 Subjects-Arts&Photography-Art-Painting-General? Subjects-Arts&Photography-Architecture-General? Subjects-Professional&Technical-Architecture-General? Mistress of the House, Mistress of Heaven Women in Ancient Egypt Cincinnati Art Museum? Cincinnati Art Museum? Brooklyn Museum? Anne K. Capel? Glenn Markoe? CincinnatiArtMuseum? CincinnatiArtMuseum? BrooklynMuseum? AnneK.Capel? GlennMarkoe? undefined undefined Becoming the Enemy A Novel Graywolf Pr? Brenda Peterson? GraywolfPr? BrendaPeterson? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-WorldLiterature-UnitedStates? The Courtship of Joanna Graywolf Pr? Catherine Gourley? GraywolfPr? CatherineGourley? Substores-UnknownASINs-35 Subjects-Literature&Fiction-WorldLiterature-UnitedStates? The Painted Alphabet A Novel (Graywolf Discovery) Graywolf Pr? Diana Darling? GraywolfPr? DianaDarling? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-General-Literary? Subjects-Literature&Fiction-WorldLiterature-UnitedStates? Places in the World a Woman Can Walk Graywolf Press,U.S.? Janet Kauffman? GraywolfPress,U.S.? JanetKauffman? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-GenreFiction-Anthologies? Encyclopaedia of Mathematics (Encyclopaedia of Mathematics) Springer? Michiel Hazewinkel? Springer? MichielHazewinkel? Substores-UnknownASINs-35 Subjects-Science-General Subjects-Science-Mathematics-General? Encyclopaedia of Mathematics Subject Index-Author Index (Encyclopaedia of Mathematics) Kluwer Academic Pub? Michiel Hazewinkel? KluwerAcademicPub? MichielHazewinkel? Substores-UnknownASINs-35 Subjects-Science-General Subjects-Science-Mathematics-General? Properties, Types and Meaning (Studies in Linguistics Philosophy) Kluwer Academic Publishers? Gennaro Chierchia? Barbara H. Partee? R. Turner? KluwerAcademicPublishers? GennaroChierchia? BarbaraH.Partee? R.Turner? Substores-UnknownASINs-35 Subjects-Nonfiction-SocialSciences-Linguistics-General? Subjects-Nonfiction-SocialSciences-Linguistics-Applied? Subjects-Nonfiction-Education-Reference-Words&Language-Grammar? Subjects-Nonfiction-Education-Reference-Words&Language-Semantics? Subjects-Reference-Words&Language-Grammar? Subjects-Reference-Words&Language-Linguistics? Subjects-Reference-Words&Language-Semantics? Black Trivia The African-American Experience A to Z! (Our Black Heritage Series) Gallopade Intl? Carole Marsh? GallopadeIntl? CaroleMarsh? Substores-UnknownASINs-35 Subjects-Children sBooks-People&Places-Biographies-PeopleofColor? Subjects-Children sBooks-Sports&Activities-Games-Questions&Answers? Subjects-History-Americas-UnitedStates-AfricanAmericans-AfricanAmericanStudies? Subjects-Nonfiction-SocialSciences-SpecialGroups-African-AmericanStudies? Love's Prism Sheed & Ward? Alla Renee Bozarth? Sheed&Ward? AllaReneeBozarth? Substores-UnknownASINs-35 Subjects-Health,Mind&Body-Psychology&Counseling-ByTopic-Perception? Subjects-Health,Mind&Body-MentalHealth-Emotions? Subjects-Reference-General? Subjects-Religion&Spirituality? Substores-UnknownASINs-35 洋書